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Making a feature though opened up doors (believe me not all at once, and some of those doors were just a slight crack) that have allowed me to do this full time. It’s easy to call yourself a filmmaker and have never made a feature movie.

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I can definitively say my first movie A Perfect Host was a turning point. While I still feel like I’m in a new chapter every day at this point.

What was a major turning point in your career? Peeling back that initial world has been a journey, but a good lesson to learn.

The subsequent drafts have been focused on simplifying the story to its core, as writers we love imagining but it’s sometimes tough to just focus on the facts and discovery of the story. Creating the history of the town and the characters was a lot of fun, but I think I forgot to tell the story. I wrote a sweeping small-town epic set in a fictional Texas city. What’s the hardest scene or project you’ve ever had to write in your career? How did you navigate the challenge? Go make things, even if it’s cheap, even if it’s not the best. Lasting longer and a steady paycheck is my hope, not 15 seconds of virality that has be crash and burn into a piling heap of TikTok algorithms. Also as much as I wish it’s true no one will come knocking at your door overnight because you let people know you’re a filmmaker. It doesn’t mean you can’t make something that you’re proud of that eventually opens the next door and the next door and the next. It will not be perfect, gone are the days of the $20,000 film becoming an indie darling and making millions of dollars.

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Shoot it on an iphone for free and use a free editing software and get your reps in. So many people talk about their ideas, but rarely execute them. The other two biggest lessons: done is better than perfect & don’t ask for permission. I kept writing good, bad and ugly (those are adjectives not an on-spec remake of the Spaghetti Western) and eventually those ideas opened up doors and experience that I didn’t think possible. I was more thinking, “no dude, how do I get a job? How do I not die?” That advice, however, has been the most helpful. He told me “keep writing and keep reading” I thought that was a flippant answer at the time.

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I asked a producer (a big Hollywood type) I was shadowing on a film set when I was like 19 how to make it as a writer. What are some of the biggest lessons you have learned? I would probably be selling security systems for a living if it weren’t for those initial jobs at an early age. Soon after that I was writing a show with my best friends for another production company, again it didn’t go anywhere (yet hah) but it was the reps that kept me alive. I think having that exterior validation was more important than the money, I was encouraged to keep writing and telling stories.

Not my best work, but I was 21 and extremely thankful to have my first paid gig. His production company was looking to make a movie and they had some money to commission a script, it was a dark comedy about a security system salesman that got involved in stealing from the houses he was setting up. Right after graduating college in 2014 I had a producer from one of my classes reach out to me. How did you get your start in screenwriting? He produced and acted in the upcoming comedy The Get Together (2021) and is the writer/director of The One You’re With (2021) His feature film directorial debut A Perfect Host was released in 2020. Chad got his start in the comedy scene while working in an array of productions from commercials, music videos, sketch, series, and award winning shorts. Bailey Werner is an actor, writer, and director originally from Texas with a deep love for comedy, filmmaking and visual flair. Writer/Director A Perfect Host & The One You’re With creator/showrunner Van GoĬ.